Since the fall of 2007 it's been a rapid climb, the growth and maturing of our guitar program.  After a year and a half to get my bearings in teaching guitar, (being a trained percussionist and saxophonist), I found myself opening and walking through a new door into a different and ultimately better world.  Creating an all new guitar program from scratch was challenging.  My school administrators never once told me what to do with my classes or how to teach them.  I am blessed to have their unfailing support, allowing me to freely push my teaching and to find answers (and the right people) to make my students and program better.  And, while I had a vision of what the Freedom High School Guitar Program could become, I never imagined everything would move forward so well and so quickly.

After having countless guitar-centric questions answered by many incredible and wonderful guitar colleagues and professors from all over the U.S., I worked my students hard with lots of teaching, challenging rehearsals, clinics, master classes, and well over 100 concert and festival performances.   We arrived 6 years later as a top notch program where in early 2013, the FHS Guitar Orchestra performed in concert at our Florida Music Educators Association All-State Music Conference and a few months later in New York, at the Long Island Guitar Festival.  Though we are now known on an international level, we (teacher and students) also realize there is so much incredible guitar music out there to discover, learn and master.  Our program musically, artistically, and personally can never rest in the past and always will need to search, learn, grow and continue to move forward.

The next stage in filling the "needs" and "gaps" of my program was to have a private study guitar class; a conservatory for students who plan on preparing and auditioning for college.  Again, my school administration was very supportive by adding this new layer of class to my program.  For the past few years I was painfully aware of the limitations regarding the guitars we currently have.  They were entry level models and were used by my students...all 190+ of them...six classes a day...180 days each school year.  My beginners fared well; my burgeoning number of advanced students are now playing very complex, challenging music on instruments that no longer matched their musical and technical ability.  We needed something more...something better.


In the spring of 2013 I began the "Great Search" to find a respected guitar luthier that produced not only quality guitars, but also were "economical".  Among the different responses I received, Dr. Stephen Robinson (Stetson University) recommended several luthiers for me to contact.  "You should contact Kenny Hill and check out his guitars.  There is a growing interest in the Guitar Community about his NEW WORLD line of instruments", he said.  After visiting his website to see artist videos of his guitars used in performance, visiting a few shops to try different instruments and personally talking with Kenny about his guitars, I was immediately sold.  It was very evident that Kenny's instruments sounded not only incredible, they were affordable, and made to his exacting standards.  That instrument is the all solid NEW WORLD Player Series.

Through email and phone conversations with Kenny and Larry Darnell (his partner in crime), I learned about Kenny’s trips to Guangzhou, China, teaching his personal luthier techniques to new "students", starting a factory there, travelling overseas every four to six weeks to maintain "Quality Control", and receiving each instrument to "personally set-up" before shipping from Ben Lomond, California to around the world.  At the very end of April 2013 one of our last phone exchanges was this:

"So, how many do you think you will need?" Kenny asked.
"I need...ten.", I replied.
"Ten?  Really, ten?"
"Yes, ten of the P650 size.  What do you think?  Should I get all Cedar or all Spruce guitars?"
"I think five Cedar and five Spruce Player Series models would be a great blend for your students.  It would be a great sound, especially if you play together."
"You are right.  It would be a wonderful sound together.  We need to get them quickly though."
"What is your timeline?"
"Is there any possibility to take delivery by August, before the next school year begins?"
"Hmm.......let me check production orders in the factory.  I'll get back to you."

After that things happened very fast.  In the span of only six weeks, Hill Guitars became a vendor with our school district (this was a major purchase), secured vendor numbers and put funds in place, shipped the guitars from overseas to California, went through his shop for Kenny's personal set-up, and shipped all ten to our school by mid-June.  It was a very happy day when they arrived!  Several of my students and a few colleagues were on hand to help open the boxes and try each one!  Hill's NEW WORLD Player Series was the only choice to what we needed; an affordable, professional entry level guitar that to me, rivals many other models two to three times the price.  With both solid Cedar and Spruce models, they are wonderfully crafted instruments.  The beauty and transparency of tone in each guitar was very consistent with one another.  It was obvious that the attention to detail in each guitar from construction to finish was very high.  Again, made to Kenny's exacting standards.

Aside from daily practices and rehearsals, the instruments were recently used by our students for high profile events including a clinic presentation at the FMEA All-State Music Conference, the Orange County Public Schools All-County Honor Guitar Festival, and accompanying William Kanengiser's performance of Shingo Fujii's "Concierto de Los Angeles for Solo Guitar and Guitar Orchestra".  Everywhere we use the Hill Guitars, there is genuine interest on where and how they are made.  Of course, everyone appreciates its warm tone, sonority and ease in playability.  Even one of my senior students who will major in guitar performance in college next year purchased a Hill Performance model last November; he too sold on the quality of instrument Kenny creates.  The lattice bracing and two tone holes at the top of the guitar body by the neck were big selling points!

The NEW WORLD guitars are a wonderful addition to the Freedom High School Guitar Program.  My students are now able to better explore and properly prepare music without the need to "struggle" on an inferior instrument.  In the coming years we will add more Hill Guitars to our growing inventory.  Kenny runs a wonderful and quickly growing company in Hill Guitars and should be proud of the instruments that he is creating.  The luthier techniques he uses produce guitar of the highest quality.  My students love playing on his instruments!  As the Director of Guitar for Freedom High School, I am proud to say we fully endorse the Hill Guitar Company and the NEW WORLD Player Series model of guitars!


Christopher Perez
Director of Guitar Studies
Freedom High School
https://teacher.ocps.net/christopher.perez/

2014 Santa Cruz Art of Guitar Festival

Jayme Kelly Curtis

The 2014 Santa Cruz Art of Guitar Festival is a wrap. All of the shows, receptions, concerts and demos are done, and the festival could not have been better. Jayme Kelly Curtis's vision was fully realized and exceeded. The pulse of interest and excitement has reached not only all around Santa Cruz, but also much more globally, I've had interest and comments coming in from all over the country. 

Simon, Owen, and Quillan

Our participation as Hill Guitar has been quite satisfying. When Jayme first told me about the idea 3 years ago the first thing that jumped into my mind was to put together a guitar making demo. And we did it. For the February 7th event at the Museum of Art and History my sons and I moved part of our workshop into the museum atrium and built guitars in public, while many of the best musicians of Santa Cruz took stage to demo the varied fine guitars of our local luthiers. More than a thousand people turned out that evening and it was wonderful to see how intrigued they were watching our craftsmen at work, neck carving, side bending, the inside details of the instruments, and French polishing. The boys did an amazing job just doing their work, in addition to explaining their processes and reasons, and glowing with enthusiasm. I'm very proud of them. 

Evan Hirschelman &
The Athens Guitar Duo

The two concerts we sponsored were also grand. First Evan Hirschelman opened a show sharing the bill with with Bill Coulter and Alex de Grassi. My God, I've heard Evan play many times, but he always astounds me with the power, imagination and virtuosity of his compositions. That sold out show was amazing, and we actually arranged a second house concert so we could hear it all again. Then 4 days later the Athens Guitar Duo came in from Georgia. I had heard a recent CD of theirs, but never actually met them, and once again, their playing and their repertoire was so beautiful. Their performances were very satisfying, moving, and it is very gratifying to hear our instruments do what they are made to do on such a lofty level. 

Kenny in concert at the MAH

Thanks to everyone who came out. We live in an amazing community. This show focusing on luthiers of Santa Cruz was much more than that, it became a stand in for all of the creativity and beauty that our neighbors and friends and family support here all the time. For all of the luthiers I know here, the business is necessarily world wide. In fact lutherie in Santa Cruz is essentially an export business. Though we sell a few instruments locally to local musicians, I think 90% of hand-made guitar sales will go to other parts of the country or the world, which helps keep the Santa Cruz trade balance positive. It is a privilege to be based in a place where art and ideas and creativity can be so well cultivated and appreciated. It is good to see all of our colleagues getting together, and realize how the love of the work still infects us all, maybe even stronger than when we began. 

Thank you Jayme, what a great idea you had. And also special thanks to Rick Mackee, Nicole Ward, Rob Blitzer, Bill Coulter, Jim and Renee, my kids, and all the others who did so much behind the scenes.

Kenny Hill
March 2014

How a local Monterey cypress tree becomes a Hill Guitar!

Guitar making is very much a lifelong love affair with wood. The 4-6 different woods that go into an individual guitar each has a different purpose and characteristics, and they come from all over the world. There is no one country or continent that supplies all of the materials that go into a traditional classical guitar. Traveling to the source and seeing the trees being harvested and turned into guitar materials can be very exciting, and offers a lot of insight into the character of wood and how valuable and hard won it is as a resource. I've been to some of those sources, but by no means all. I've never seen a rosewood tree or an ebony tree, maybe I still can someday.

Here along the central coast of California there is one tree that is fairly common and useful for some types of guitar making, and that is the Monterey cypress. Though there are small native groves at Point Lobos and Pebble Beach near Monterey, most of the tree stands around the state have been planted for landscaping purposes. We see a lot of old trees on military land, in parks and cemeteries, and around farm lands, lining roads or fields, I guess to serve as wind breaks.

At Hill guitar we use cypress for flamenco guitars, and also as the inner material of the laminated sides on the Signature Model. I laminate the sides on the Signature for the added stability and for the added aroma. It's extra work and materials, but I think it does something good for the instrument. Some other guitar makers such as Daniel Friedrich, Robert Ruck, and Jose Ramirez laminate sides on some models. I don't know why they do it, I've never asked them. 

So when we started running low on cypress I had to go looking for it. Years ago I had quite a bit of experience finding logs and milling guitar wood, but I haven't had to do it in a long time. I always have my eye out for trees falling down or being cut, so I started looking more carefully. I found that Steve Jackel had cut up some big trees in Watsonville, so Simon and I went out and went through his whole stack of cypress to get the good stuff. We picked out maybe 300 board feet, hauled it back to the shop and started milling it into sides and backs right away. This will be enough to last a long time. It's kind of messy work, but it's fun and makes the shop smell nice and spicy. We don't have to get it all done at once, we can put in a few hours now and then when there's free time.

Monterey cypress is the one material we can get locally, but we still have to order everything else from other parts of the world. That's just the way it is. In the future we may make a line of guitars using more domestic or local woods, and this sort of pursuit becomes more important as the worldwide supplies of traditional materials become more scarce or controlled. Classical guitar has deep tradition running through it and consumers may not be quite ready to accept major changes in the look or the sound of the guitar from new materials. But searching for and cutting wood is interesting and satisfying, and cultivates such a more intimate connection with the materials, carrying on that lifelong love affair with wood. 

Kenny Hill
December 2013

Win a Hill Performance Series Guitar in the Omni Foundation 2013-14 Raffle!

The Omni Foundation

Kenny Hill, Johannes Möller, & Richard Patterson
at the 2011-2012 OmniConcerts

The Omni Foundation for the Performing Arts is entering its 33rd year of bringing the world’s finest acoustic guitarists to the San Francisco Bay Area. Although the series presents acoustic guitarists of all genres, such as flamenco, jazz and fingerstyle, the primary focus is on the classical guitar. The series is the longest running and most extensive guitar series in the United States and is considered to be one of the foremost guitar series in the world.

Omni presents not only the most celebrated virtuoso of our time but also the emerging artists and stars of tomorrow. The concerts take place in San Francisco’s most prestigious concert venues, both intimate and grand and great efforts are made to insure accessibility to the entire Bay Area community, particularly students.

The Omni Foundation, under the artistic direction of its founder, Richard Patterson, continues to provide a significant position for the classical guitar in the vibrant cultural scene of San Francisco. With the support of serious guitar enthusiasts and the City of San Francisco, Omni presents over 20 exceptional guitarists each season. We hope you will join us and experience the brilliance, beauty and potential of this exquisite instrument, the guitar.

Omni concerts program here: 2013-2014 Program

Purchase tickets here: Tickets

Win a Hill Performance Series Concert Guitar with Arched Case in the 2013-14 raffle!

Donation: $20

Drawing held at the Goryachev/Mouffe concert, April 25, 2014. 
Winners need not be present to be eligible.

The Performance Series is the newest line of fine guitars designed and built in the Hill California workshop. These guitars offer a great sounding high-quality modern concert instrument at a medium price - List $5500 w case.

Win this guitar in the raffle!

The Performance Series is handmade in the traditional Spanish style, with the integral body and neck joint, and incorporates a modern double top soundboard, with lattice or fan-bracing. Sound ports are standard, unless requested otherwise.

 • Sound board: Damann style double top comprised
 of Western red cedar, Nomex and Englemann
 spruce, Lattice bracing 
• Sound ports
 • Back & sides: Indian rosewood 
• Fingerboard: ebony
 • String length: 650mm 
• 20th fret extention
 • Tuners: Gotoh 
• Finish: French polish
 • Lightweight double-acting truss rod 
• Fingerboard at the nut: 51mm
 • Overall length: 39 1/2” 
• Body length: 19 1/2”
 • Upper bout: 11” 
• Lower bout: 14 1/4”
 • Body depth: 3 3/4 - 4” 
• Arched case included


This guitar will be showcased at each concert where you can enter your name into the raffle for only $20! You can also buy raffle tickets online here: Buy Raffle Tickets

Read about all of the Omni concert raffle prizes here: 2013-14 Omni Foundation Raffle

All proceeds go to The Omni Foundation. 

NW

The Night Flame

"The video is of my composition "The Night Flame" that is based on raga Kirwani. The film is from a performance at BlueFrog, Bombay on the 15th of September this year."

                -Johannes Möller

Kenny comments, "I don't know what I could add that wouldn't take away from it! Great song, great performance, great player."

Watch The Night Flame by Johannes Möller.

Performed by Johannes Möller, guitar and Arif Khan, tabla

Guitar: Kenneth Hill Strings: D'addario

NW

And so I named her Angel

Hill Guitar recently received a wonderful letter from Martha Stuart and her new Hill Torres that she named Angel. Read her letter to find out why!

Martha and Angel

"Dear Mr. Hill,

Just wanted to thank you so very much for creating such a beautiful guitar. I am just getting back to playing classical guitar after many years. While searching online for a guitar, I came upon Savage classical guitar. I Found the Hill Torres F5 3412 and fell in love with it. I have owned some fantastic guitars in the past, but, when I saw the Torres, I knew it had to be mine. It arrived the next day. I opened the case and there was the most gorgeous guitar I have ever seen. A work of art! The quilted maple back and sides, for some reason, reminded me of angel wings and the voice of the instrument is incredible. And so I named her ANGEL. 

Thanks so much, and I will tell Angel you said Hello.
I will take good care of her. 

Martha Stuart"

We gave Martha a call this week to see how Angel was doing and Martha told us that Angel still is "the finest guitar she has ever played" and she was very thankful to have her.

Kenny and the gang at Hill Guitar Company are delighted to hear that their guitars are in happy hands!
NW

Guitar Award Winner Diane Konyk!

Diane on stage

As you may have previously read on our blog, Clare Callahan, Professor of Classical Guitar at the College Conservatory of Music at the University of Cincinnati, recently put on the 30th annual Classical Guitar Workshop. 

Hill Guitar Company donated a New World Estudio guitar to be awarded to a guitarist at the Saturday night workshops. Clare thanked us and said "Your guitar will be the cherry on top!"

The lucky winner of the guitar was Diane Konyk who shared a few words with us about her new guitar.

Diane Konyk photographed by Theresa Franke

"Thank you for the New World 650c! I was looking for a classical guitar that sounds great, looks beautiful, and also has a thinner neck, better action than my current guitar, and this model fits my needs. The 650c has a full bass sound that carries, and I find the upper notes ring nicely. My wrist also thanks you because with my smaller hands, I needed a different guitar and this fits me very well. I am having fun playing it and will add it to my performances!"   

                                                                                        -Diane Konyk

We are so happy to hear that Diane's new guitar seems to be a perfect fit! 

Congratulations Diane!